Port City Music Hall
Ryan Montbleau Band

Ryan Montbleau Band

Earl Mac

Sat, September 29, 2018

Doors: 7:00 pm / Show: 8:00 pm

Port City Music Hall

Portland, ME

$15 Advance / $18 Day of Show / $30 Preferred GA Seating

This event is 18 and over

Buy tickets in person at the Port City Music Hall box office (504 Congress Street) Wednesday-Friday 10AM-5PM, charge by phone at 800-745-3000, or online right here. PCMH box office will open one hour before doors night of show.

Ryan Montbleau Band
Ryan Montbleau Band
Ryan Montbleau has been an acclaimed singer, songwriter, and bandleader for more than a decade, but with his new album I WAS JUST LEAVING, the New England-based artist has truly arrived. Contemplative and richly emotive, the album offers a glimpse into the often-lonesome life of the relentlessly traveling troubadour, a strikingly single-minded existence too often clouded by the blur of constant motion. Recorded at New Orleans’ Esplanade Studios over four days in January 2016 with producer Anders Osborne and engineer/mixer Mark Howard (known for his work with such icons as Bob Dylan, Tom Waits, Neil Young, and U2), the album marks Montbleau’s first full length release in the wake of a series of seismic personal shifts. Songs like “Bright Side” and the touching title track reveal a uniquely blessed artist who has truly found his voice, his gift for melody and a remarkably open-armed approach.

“There’s no part of this record that I am unsure of,” Montbleau says. “All the juice of the last fifteen years is in there. My humanity and my heart are on this record.”

Montbleau has been among America’s finest songwriters and performers, earning national attention and a fervent fan following with songs like “75 and Sunny” and his breakthrough cover of Tracy Chapman’s “Fast Car,” the latter a Spotify smash with total streams now in excess of 14 million.

After twelve years on the road Montbleau found himself at a crossroads in 2016. “Within a very short time, my world got flipped around. My partner was gone, my band of ten years was gone, my friends were all far away. The one thing I had was a career, because it turns out that was all I had worked on. When the dust settled, I realized I didn’t really have much of a home life.”

“I thought all along that I had been building a home but it turned out I was just leaving. That’s where the title of the song and the record came from. So many raw feelings were just aching through me at that point. Eventually they vibrated out through the guitar, through singing. I had to sing these songs.”

An artist’s artist, Montbleau has collaborated with such diverse performers as Martin Sexton, Trombone Shorty, and Galactic. His association with Anders Osborne extends back to 2012 when the New Orleans-based singer/songwriter/guitarist played on Ryan’s Ben Ellman-produced FOR HIGHER alongside such fellow Big Easy icons as Ivan Neville and The Meters’ George Porter, Jr. Two years later, Anders and Ryan reconnected on the road backstage at a festival. The seeds were planted for a collaboration.

Montbleau’s guitar playing and vocals are both front and center on I WAS JUST LEAVING, with Osborne accompanying on drums, percussion, bass, guitar, and harmonica, each used simply and sparsely for maximum effect. Osborne and Howard built upon that same goal, creating space and capturing rawness by utilizing as many early takes as possible.

“Bright Side,” the album’s first single, is perhaps the song most emblematic of Montbleau’s growth as both a human being and artist. At once finely etched and strikingly direct, “Bright Side” is an ideal distillation of his approach to songwriting, balancing multiple shades of emotional nuance with a fearless, unfettered sentimentality that ultimately leads to a greater truth.

I WAS JUST LEAVING marks a singular milestone for Ryan Montbleau, the moment in which this exceptional singer, songwriter, and performer has blossomed into a fully matured artist.

“I’ve been planting these seeds for so long and it has all led up to this moment. It feels like finally the fruits of all my efforts are coming out. I’m still working hard but there’s an ease to what’s happening. I have a career that I’ve built, that I’ve earned. Now what’s fun is putting out the best music I can and seeing what happens.”
Earl Mac
In his debut album 'Derelict,' Earl Mac draws on two decades of performing his craft on stages throughout New England. Working days to pay the bills, and nights and weekends to build his dream; 'Derelict' is hard earned music.



The music is a Roots-Rock meditation on time and place, with a hopeful spirit rooted in Maine’s hard soil and high horizons. You can almost see the slate gray of open lakes in “Isn’t There a Place,” feel the trickling growth of “How Long,” and hear the bar stools shift to the exuberant, floor-pounding celebration of “7 Days Long.” 'Derelict' is human, wooden-floor music.



It's as if Earl Mac inherited an equal influence from the rock heroes of his childhood, and the archaic crackle of the many old-time Maine storytellers that he’s known and loved. Like most Mainers, he does what he can, with what he’s got - humility, resourcefulness, honesty, pride - and the work ethic to make something beautiful. It’s the Maine way, this rugged, eclectic individualism - and it’s all that Earl Mac knows.
Venue Information:
Port City Music Hall
504 Congress St
Portland, ME, 04101