Port City Music Hall
Lettuce

State Theatre & 98.9 WCLZ presents

Lettuce

Galactic, Jaw Gems

Fri, June 22, 2018

Doors: 4:00 pm / Show: 5:00 pm

Thompson’s Point

Portland, ME

$39.50 Advance / $45 Day of Show / $75 VIP Experience

This event is all ages

VIP Experience at Oxbow on July 21  CLICK HERE

Everything you need to know about Thompson’s Point CLICK HERE

TP has limited on-site parking available (but it’s within walking & biking distance from downtown Portland!) CLICK HERE TO BUY PARKING

Buy tickets in person at the Port City Music Hall box office (504 Congress Street) Wednesday-Friday 10AM-5PM, charge by phone at 800-745-3000, or online right here. Thompson's Point box office will open 3PM day of show.

Lettuce
Lettuce
Known for their incendiary live shows, extensive touring, die-hard fans, and massive two-decade career, Lettuce have brought a new vitality to classic funk, matching their smooth and soulful grooves with a hip-hop-inspired urgency. Their latest offering, Witches Stew [Lettuce Records] is a contemporary jazz fusion album that pays tribute to the late Miles Davis, one of Lettuce's biggest and most beloved influences. An interpretive take on the historically experimental and lauded Bitches Brew era, Witches Stew is a collection of seven songs, handpicked by the band and was recorded at the 2016 Catskill Chill in Lakewood, PA. Released on Halloween Day 2017, the EP brings forth an eerie, ethereal, and psychedelic reimagining to what was one of the most impactful periods in Miles’ legacy, further distinguishing the band for their technical mastery and improvisational, rhythmic genius.

To further pay tribute to their hero, Lettuce released the first single from the EP "Shhh / Peaceful" on the 26th anniversary of Miles' passing. Keeping tempo with steady percussion, the track features an otherworldly sound which is echoed by distant horns and tranquil guitar riffs. As a whole the album seamlessly floats from track to track, almost as if telling a story in a language unique to each listener. Taking cue from Miles himself, the brassy crooning of the trumpet threads together each song into a cohesive body of work and brings the listener on a journey that only Lettuce could navigate.

Comprised of a stellar group musicians - Drummer Adam Deitch, guitarist Adam Smirnoff, bassist Erick "Jesus" Coomes, keyboardist and vocalist Nigel Hall, saxophonist Ryan Zoidis, and trumpet player Eric “Benny” Bloom - the members of Lettuce are highly sought after musicians who, together, continue to earn their name as masters of their craft. Blending together these talents in a sound distinctly their own, they have garnered praised by the likes of New York Times, NPR, Billboard, Consequence of Sound, Relix, Red Bull Music and more.

According to the band, it is a sense of unity and togetherness that has much to do with the camaraderie that’s only intensified over the lifespan of the band. Formed in 1992, when several band members attended a summer program at Boston’s Berklee College of Music as teenagers, Lettuce was founded on a shared love of legendary funk artists like Earth, Wind & Fire and Tower of Power. After returning to Berklee as undergrads in 1994, Lettuce started playing in local clubs and steadily built up a following that soon extended to cities across the country and then throughout the world. Releasing their studio debut Outta Here in 2002, its follow-up Rage! in 2009, Fly in 2012, Crush in 2015 and Mt. Crushmore EP in 2016, the band has dedicated their time to balancing their prolific touring with involvement in a host of other musical endeavors.

In recent years, Lettuce have watched their fanbase expand as they’ve hit bigger and bigger stages. Selling out shows across the country, they have truly earned their name as a can’t-miss live act. As bass player Erick “Jesus” Coomes puts it, “some of these shows we’ve played over the past couple years have been so amazing, it’s like you go home a different person.”

The band is currently spreading their sonic hijinks and soulful vibrations across the country on their Beyond the Clouds 2018 headline tour. Comprised of 23-dates, the tour will lead the band to their third annual Rage Rocks show, which will take place at the historic Red Rocks Amphitheatre on Friday, June 8, 2018. A beloved tradition by the band and their fans alike, this will mark Lettuce's fifth time playing at the venue.
Galactic
Galactic
It’s been more than 20 years since Ben Ellman, Robert Mercurio, Stanton Moore, Jeff Raines and Rich Vogel began exploring the seemingly limitless musical possibilities born out of their work together as Galactic. Since then, the seminal New Orleans band has consistently pushed artistic boundaries on the road and in the studio, approaching their music with open ears and drawing inspiration as much from the sounds bubbling up from their city’s streets as they do from each other.

A key part of that creative spark comes from the teamwork of Mercurio and Ellman, whose ever-evolving production and arranging skills helped usher the band into a new phase of studio work beginning with the loop-centric “Ruckus” in 2007. A series of albums focused around specific concepts like Carnival followed, as did collaborations with guests hailing from worlds outside the one Galactic calls its own.

On “Into the Deep,” the band members look within themselves instead, drawing inspiration from people and ideas that have long been close to their hearts – and, in turn, close to the development of their unique sound. Shot through with soul, funk, blues and rock, the result is an organic riff on elements of Galactic’s past, filtered through the lens of where they’re headed in 2015.

“I see this album as a kind of culmination of all of our collaborations or experiences, from [trombonist] Corey Henry to the people we met on the road, touring,” says Mercurio, referencing Ellman’s first full-time gig in New Orleans, which kicked off when Henry hired him into the Little Rascals Brass Band in 1989.

“The previous albums took us in the opposite direction,” Mercurio says. “We collaborated with rappers that we had never dealt with and even on the New Orleans tracks, we didn’t have working experience with most of those artists before the recordings.”

In contrast, “Into the Deep” contributors like JJ Grey, David Shaw and Maggie Koerner spent significant time touring with Galactic. A few years ago, Mavis Staples sat in with the band, all of whom are longtime fans of the legendary singer’s R&B-meets-gospel soul style. They caught up with Macy Gray when she performed a memorable concert at Tipitina’s where Ellman says he could see from the outset “how much she cares about the music.” And each of the players had also developed a deep appreciation for the Honorable South’s Charm Taylor, whose contribution, “Right On” was written specifically to suit her vibe.

“Quint Davis [the producer of] Jazz Fest always has a couple people he books at the festival that aren’t big names but that Quint knows are going to be super cool,” says Ellman. “That’s how we met Brushy One-String. We originally wanted to bring him in to do anything, just to see what would happen. But when we heard his song ‘Chicken in the Corn,’ we really wanted to do our version of it.”

In the end, he joined them on the road for over a month, collaborating with the band onstage at each show.

For the instrumental tracks, Galactic mined the interests and tastes they’ve cultivated together for years in New Orleans. “Buck 77” was written via improvisation, a long-standing cornerstone of their live shows. The funky bass line and tumbling guitar part on “Long Live the Borgne,” meanwhile, represents an updated, more composed take on some of the concepts that made early albums like “Coolin’ Off” so strong.

As for the opener “Soogar Doosie,” Ellman points out Galactic tends to record at least one track on each album that speaks to the band’s collective love of brass band music.

“We write [those songs] with the idea of how awesome it would be to hear the Rebirth going down doing the street in a second line playing one of our songs. We try to think of a real second line song that would get people slapping stop signs and dancing on cars,” he says.

The album, Ellman says “is all about people. It’s these connections we’ve made over 20 years. They’re people in our orbit that have come into our little world and affected us in some way.”

It’s also about how the individual musicians within Galactic have grown over time. When it comes to trying new approaches as players, producers, songwriters and arrangers, Ellman muses, “it’s an evolution.”
Jaw Gems
Jaw Gems
“Jaw Gems conjure the aesthetic of Flying Lotus….creating rich, neo-soul tapestries…[Their] keyboard lines roll butter-thick harmonies [and] wrapped snugly around them are shimmering synthesizers, classic Moog timbres, and trebly, swishing rhythms and high hats.”– EARMILK

Jaw Gems, an electronic outfit from Portland, Maine, is a collective of young, experimental producers bringing beat-music – traditionally programmed and played on samplers – to a live band setting. The mesmerizing result is a harmonic convergence.

Combine legendary beat-makers like J Dilla and Flying Lotus with indie rock and electronic icons like Deerhunter and Washed Out, then add Radiohead’s dreamy ambience and you begin to approach the sound of Jaw Gems. Electronic musician, Daedelus says “Jaw Gems have done the magic trick of delivering a thoroughly listenable instrumental album that you can also sing along to.”

“Dilla is the common thread for how we all met and began playing together,” says keyboardist Hassan Muhammad. “Not many people in Portland knew about him seven years ago, so through various friends we were all pointed out to each other and we were blessed with the opportunity to hold a weekly residency at a bar, playing all the stuff we liked and getting increasingly weird.”

Since their start in 2009, the band has been exploring sonic and rhythmic ideas that emphasize interlaced melodies and heavy grooves. First outfitted solely with dueling vintage synthesizers, a drummer, and an electric bassist, Jaw Gems have now incorporated a Roland sp404 and the Juno 106 analog synth, going on to employ the beat- repeating, sample-warping technologies of the present to help create their wall of sound. Armed with new gear, Jaw Gems were able to evolve their beats, trigger intricate samples, and alter sounds in an increasingly advanced way. “You can do so much with these devices, and we all have our own ways of using them,” says bassist Andrew Scherzer.

In August of 2016, Jaw Gems delivered their second album, HEATWEAVER, via STS9’s 1320 Records. The 14-tracks create a thickly layered transcendental auditory world – a meticulously crafted collection grounded in a modern electronic aesthetic. HEATWEAVER melds neck-breaking, hip-hop synthesizers and nostalgic atmospheres, while simultaneously touching on elements of psychedelic funk, neo-soul, and punk rock. Jaw Gems likes to keep their recording process relaxed to allow for creative diversity.

Setting up shop in a makeshift home studio, the band hunkers down and lets their songs come to life. Put four beatmakers in a room together for a week, and the outpouring of ideas could be endless. “As we develop as individual musicians each of our sounds morph and evolve in different ways, so when we come together to record we all bring something new to build upon,” says drummer DJ Moore. “Our creative process is never the same,” says keyboardist and sampler Tyler Quist. “On HEATWEAVER, we let some of our beats stay in a more bedroom beat format, and others we revamped to sound a lot more live.” In this case, Jaw Gems was left with a solid compilation attesting to their evolution as tenacious genre-bending producers.

Now, after catching the attention of acclaimed Alpha Pup Records, Jaw Gems re-released HEATWEAVER on the label this on October 13, 2017, with additional remixes of every track. This re-release features flips from T3 (Slum Village), Daedelus, Brady Watt (Talib Kweli/DJ Premier), THE GRID (Jon Cleary Band), Break Science, Russ Liquid Test, and more. Expect Jaw Gems’ next full-length album on Alpha Pup Records in the coming months, as well.

In addition to national tours, and landing their dream record deal, other recent Jaw Gems’ highlights include shared stages with icons such as My Morning Jacket, Flying Lotus at L.A’s legendary Low End Theory (FlyLo’s first appearance at the famed L.A. beat scene event in years), STS9, Lettuce, and many more.
Venue Information:
Thompson’s Point
1 Thompson's Point
Portland, ME, 04102