Port City Music Hall
Rodriguez

98.9 WCLZ presents

Rodriguez

Lily & Madeleine

Wed, April 11, 2018

Doors: 7:00 pm / Show: 8:00 pm

State Theatre

Portland, ME

$65, 55, 45, 30 - Reserved Seating

This event is all ages

Buy tickets in person at the Port City Music Hall box office (504 Congress Street) Wednesday-Friday 10AM-5PM, charge by phone at 800-745-3000, or online right here. State Theatre box office will open one hour before doors night of show.

Rodriguez
Rodriguez
Rodriguez, the legendary singer-songwriter known only by his surname, is a self-taught guitarist. He began performing in bars and clubs around the city of Detroit in the 1960s, as the city suffered post-industrial urban decay. It was there that he recorded two studio albums, Cold Fact in 1969 and Coming from Reality in 1971. These compositions went unnoticed in the U.S. and Rodriguez eventually turned his efforts elsewhere, earning a bachelor's degree in philosophy from Wayne State University, running for political office and working construction and factory jobs to support his family.

In the mid-1970s, his music gained airplay in Australia and New Zealand and he toured the area finding limited success as an overseas performer.

Rodriguez was unaware that he had reached legendary folk-rock super stardom status in South Africa, where mistaken rumors circulated that he had perished. As it turns out, South African anti-Apartheid activists and musicians alike were inspired by his counterculture lyrics.

In the late 1990s, South African fans finally sought him out, leading to the unanticipated renaissance of his music career. Their story is told in the 2012 Oscar award-winning documentary, Searching for Sugar Man, which has given Rodríguez a new measure of fame in the U.S. and his music is now reaching audiences worldwide.

Rodriguez now tours extensively in South Africa, Australia, Europe, and the U.S., where he takes thoughtful appreciation in greeting longtime fans, and a new generation of listeners who find common ground in his music. His albums, Cold Fact and Coming from Reality have since been re-released on Light in the Attic records and the Searching for Sugar Man soundtrack is available on Sony Legacy. International media attention and accolades have since been bestowed upon both the film and the music.

He has perhaps one of the most unique true stories of fleeting fame finally realized. Rodriguez is enjoying the collective heartfelt dream of a musician, beating the odds and finding a place in music history. With a music career that has withstood the test of time; the story of Rodriguez is one of sweet success.
Lily & Madeleine
Lily & Madeleine
Madeleine:

Keep It Together is our third full length album and it’s a bit of a departure from our last two records. We arranged all the songs with our friends Kate Siefker (drums, percussion, synth, bass) and Shannon Hayden (cello, guitar, mandolin, synth). Working with a closer knit team of just four ladies helped tighten our sound and unify each track into a complete collection. Our live performances with Kate and Shannon will be will be very tightly arranged because they were directly involved in the orchestration/recording process.

Lily and I wrote many of the songs separately and came together to revise/finish them. I hope listeners are able to see our unique personalities through our different lyrical themes. “Keep it together” is a lyric from the first track “Not Gonna,” which Lily wrote. This simple phrase has a lot of meaning to us: keep your shit together, keep our relationship as sisters together, pressure to keep our image a certain way as young ladies.

Women, and young women especially, are multifaceted, yet are often trapped in certain roles. As Nicki Minaj has said, “If you speak up for yourself, you’re a bitch. If you party too much, you’re a whore. Men don’t get called these things.” I admit I’m constantly afraid of saying something too “edgy” and offending someone or being “too nice” (what is too nice??) and not being true to myself. Lily and I started making music when we were teenagers, but we’re adults now and we’re thinking about the future. I don’t want to be afraid of my future because I’m a young woman. I want to do my best to be my best and create kick ass art without hesitation.

One of my favorite tracks is “Nothing,” which I wrote. This song is a dramatization of personal experience. While writing this album I thought about my romantic relationships and friendships and considered how these bonds affect me positively or negatively (or both). I’ve learned a lot about myself through my musical career so far and these songs sort of look back on who I was a year ago and who I’m becoming now.

Lily:

Keep It Together is the most personal body of work that Madeleine and I have created. It feels especially vulnerable to me because I was a lot more involved in the writing process for this album. Each song represents a moment in time that is either a past memory or an event that I could experience in the future: these songs feel just like little parts of me.

This album is very honest too and has a good mix of drama and simplicity. I wanted some of the songs, like “Westfield” and “Smoke Tricks”, to feel like simple and steady streams of thought, which balances out the drama of songs like “Chicago” and “Nothing”.

Along with reflecting on the personal bonds that Madeleine and I both have, I also really wanted to focus more on the bigger picture and write about the experience of being a white woman in America and a college age kid in the 21st century. As I attempt to further discover who I am as an individual, the way society wants me to define myself is becoming clearer. It seems to me that young people are the same everywhere: regardless of race, gender, or socioeconomic class. All young adults are in the same boat, trying to figure out what makes us individuals and trying to find our value in society. I see the same situations reoccurring within my age group: my peers are dealing with eating disorders, drug problems, and abusive/manipulative relationships constantly.

Madeleine and I are used to answering the same unintelligent questions (“What’s it like being sisters?” “Do you ever worry about picking out the perfect outfits for your performances?” “What do your boyfriends think about dating someone famous??”), but I believe with this album, people will pay more attention to our creation instead of our appearances and our “story” as a band. I can only speak for my own experiences, but my greatest hope for this album (as with every album we make) is that people will continue to listen closely and relate.
Venue Information:
State Theatre
609 Congress St
Portland, ME, 04101
http://www.statetheatreportland.com/