Port City Music Hall
Elvis Costello & the Imposters

State Theatre presents

Elvis Costello & the Imposters

Amy Helm

Mon, July 24, 2017

Doors: 6:00 pm / Show: 7:00 pm

Thompson’s Point

Portland, ME

Seated: $75 adv, $80 day of show / GA Lawn: $45 adv, $50 dos

This event is all ages

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Buy tickets in person at the Port City Music Hall box office (504 Congress Street) Wednesday-Friday 10AM-5PM, charge by phone at 800-745-3000, or online right here. Thompson's Point box office will be open 3PM day of show.

Elvis Costello & the Imposters
Elvis Costello & the Imposters
Elvis Costello has followed his musical curiosity in a career spanning more than 30 years. He is perhaps best known for his performances with The Attractions, The Imposters and for concert appearances with pianist Steve Nieve. However, he has also entered into acclaimed collaborations with Burt Bacharach, The Brodsky Quartet, Paul McCartney, Swedish mezzo-soprano Anne Sofie von Otter, guitarist Bill Frisell, composer Roy Nathanson, The Charles Mingus Orchestra, record producer and songwriter T Bone Burnett and Allen Toussaint.

Costello’s songs have been recorded by a great number of artists. The list of performers reflects his interest in a wide range of musical styles: George Jones, Chet Baker, Johnny Cash, Roy Orbison, Dusty Springfield, Robert Wyatt, Charles Brown, No Doubt, Solomon Burke, June Tabor, Howard Tate, the gospel vocal group The Fairfield Four and the viol consort Fretwork with the countertenor Michael Chance. In 2003, he began a songwriting partnership with his wife, the jazz pianist and singer Diana Krall, resulting in six songs included in her highly successful album ‘The Girl In The Other Room’.

During his career Costello has received several prestigious honors, including two Ivor Novello Awards for songwriting, a Dutch Edison Award with The Brodsky Quartet for ‘The Juliet Letters’, the Nordoff-Robbins Silver Clef Award, a BAFTA for the music written with Richard Harvey for Alan Bleasdale’s television drama series ‘G.B.H.’ and a Grammy for “I Still Have That Other Girl” from his 1998 collaboration with Burt Bacharach, ‘Painted From Memory’.

Elvis Costello and The Attractions were inducted into the Rock and Roll Hall of Fame in 2003. During the same year he was awarded ASCAP’s prestigious Founder’s Award. There have also been a number of Grammy nominations for his recent albums ‘When I Was Cruel’ and ‘The Delivery Man’.

The late-2003 Deutsche Grammophon release ‘North’ – an album of piano ballads composed, orchestrated and conducted by Costello – retained the number one position on the Billboard Traditional Jazz Chart for five weeks.

In 2004 Costello was nominated for an Oscar for Best Song – “The Scarlet Tide,” sung by Alison Krauss in the motion picture “Cold Mountain.” The song was co-written with T Bone Burnett.

The summer of 2004 saw Costello presenting a series of concerts as part of the Lincoln Center Festival in New York City. Following concerts with the Metropole Orkest and The Imposters, The Brooklyn Philharmonic, conducted by Brad Lubman, gave the premiere concert performance of ‘Il Sogno’, Costello’s first full-length orchestral work.

The music was originally commissioned in 2000 by the Italian Dance Company, Aterballetto, for their adaptation of Shakespeare’s ‘A Midsummer Night’s Dream’. Following performances in Bologna with the Orchestra del Teatro Communale, the ballet was staged throughout Italy, Germany, France and Russia.

‘Il Sogno’ was subsequently recorded by The London Symphony Orchestra, conducted by Michael Tilson-Thomas. The recording was released in the late 2004 by Deutsche Grammophon and stayed at the top of Billboard’s Contemporary Classical Charts for 14 weeks.

Elvis Costello was commissioned by The Royal Danish Opera to compose an opera based on the life of Hans Christian Andersen. “The Secret Songs,” a “work-in-progress” cycle extracted from the opera, was given its first performance in Copenhagen in October 2005 to an appreciative audience response and enthusiastic reviews. Costello sang both of the leading male roles, Andersen and that of the showman P.T. Barnum, while the leading female role of Jenny Lind was taken by Swedish soprano Gisela Stille.

In January 2006, Elvis Costello was a featured artist at the Sydney Festival in Australia, presenting a series of contrasting concerts. The first reunited Costello with the Brodsky Quartet for excerpts from ‘The Juliet Letters’, while in the second half, Steve Nieve, double-bassist Greg Cohen and soprano Antoinette Halloran joined Costello and the Brodsky Quartet for several newly arranged excerpts from “The Secret Songs.” Costello and Nieve then gave a second concert, in which they drew on some of Costello’s rarely performed compositions.

The festival appearances concluded with two concerts with the Sydney Symphony conducted by Alan Broadbent at the Opera House. The program consisted of a suite from ‘Il Sogno’, followed by a number of Costello’s songs arranged for orchestra by Costello, Sy Johnson, Bill Frisell, Vince Mendoza and Steve Nieve. The program also included compositions by Charles Mingus and Billy Strayhorn with Costello’s lyrics and songs written by Costello and Burt Bacharach for the album ‘Painted from Memory’.

Many of these compositions are also featured on ‘My Flame Burns Blue’, the live recording of Costello’s performance with the Metropole Orkest at the 2004 North Sea Jazz Festival that was released in March of 2006 by Deutsche Grammophon coupled with the suite of ‘Il Sogno’ highlights.

Later that spring, Costello, Nieve and conductor Alan Broadbent presented a program similar to their Australian tour throughout the U.S., including appearances with San Francisco, Chicago, Houston, Austin and Baltimore’s symphony orchestras.

2007 saw Costello tour extensively with The Imposters and also with Allen Toussaint throughout the USA and Europe. In autumn 2007 he undertook a highly successful tour, performing solo on “The Bob Dylan Show.”

In late 2007, Costello completed his work on a commission from The Miami City Ballet when he collaborated with world-famous choreographer Twyla Tharp. The work, entitled “NIGHTSPOT,” was premiered in Miami to great critical acclaim in March 2008. A new album with The Imposters entitled ‘Momofuku’ had already been recorded in secrecy in a period of just seven days and was released on April 22, 2008.

In December 2008, Costello launched the inaugural season of his internationally acclaimed music television series Spectacle: Elvis Costello with…. Spectacle is a compelling blend of the best of talk and music television that offers a fly-on-the-wall perspective on the creative process with an extraordinary and eclectic array of guests joining host Elvis Costello to chat, perform and share their passion for all kinds of music. The program's eclecticism and depth reflect its uniquely qualified host, a songwriter and performer comfortable in almost every genre imaginable; a musicologist of formidable breadth and knowledge; a contributor to Vanity Fair; and a noted wit whose stint as guest host on “The Late Show with David Letterman” won rave reviews.

First season’s guests included: Sir Elton John, Tony Bennett, Lou Reed, Julian Schnabel, Smokey Robinson, The Police (Sting, Stewart Copeland and Andy Summers), James Taylor, Herbie Hancock, Rufus Wainwright, Rosanne Cash, Kris Kristofferson, Diana Krall, John Mellencamp, Jakob Dylan, She & Him (Zooey Deschanel and M. Ward), Norah Jones, Jenny Lewis, Renée Fleming and President Bill Clinton.

The second season of Spectacle will begin airing in late 2009 and feature guests including Bono & The Edge, Neko Case, Sheryl Crow, Levon Helm, Ray Lamontagne, Lyle Lovett, Nick Lowe, John Prine, Ron Sexsmith, Bruce Springsteen, Richard Thompson, Allen Toussaint and Jesse Winchester.

On June 2, 2009 Hear Music released Costello’s ‘Secret, Profane & Sugarcane.’ Produced by T Bone Burnett and recorded by Mike Piersante during a three-day session at Nashville's Sound Emporium Studio, ‘Secret, Profane & Sugarcane’ debuted at #13 on the Billboard 200, Costello's highest album chart position since 1980's Get Happy. Following its release, Costello toured extensively with the featured musicians on the album dubbed the Sugarcanes – Jerry Douglas, Stuart Duncan, Mike Compton, Jeff Taylor and Dennis Crouch.
Amy Helm
Amy Helm
"I'm just trying to tell some stories as honestly as I can," Amy Helm says of ​Didn't It Rain, ​her first solo album and her eOne Music debut.

Although the personally charged, organically soulful ​Didn't It Rain ​is her first release under her own name, Amy Helm has been making music for most of her life. She's already won widespread praise as a singer, songwriter and live performer, first as a member of the celebrated alt­country collective Ollabelle and subsequently for her extensive work with her father, musical icon Levon Helm, who passed away in 2012.

Blessed with a commanding, deeply expressive voice and an uncanny songwriting skill that instinctively draws upon a deep well of American musical traditions, Amy Helm delivers a timelessly powerful statement with Didn't It Rain.

The spellbinding dozen­song set is rooted in first­person experience, exploring universal themes of life, love and loss on such musically and emotionally resonant originals as the smoldering soul ballad "Rescue Me," the hushed, lilting "Deep Water," the meditative "Roll Away" and the stark, haunting "Wild Girl." Complementing Helm's originals are her personalized takes on the Sam Cooke classic "Good News" and the traditional title track, which she delivers with the heartfelt gospel urgency that's always been an element of her vocal persona.

Accompanying Helm on ​Didn't It Rain​ is an impressive roster of players and singers that demonstrates the esteem in which the artist is held by her peers. Helm's former Ollabelle bandmate Byron Isaacs, who produced the album, co­wrote the majority of the songs with Helm, and is featured as one­third of Helm's current live trio the Handsome Strangers, playing bass alongside guitarist Daniel Littleton and drummer David Berger. Also contributing their talents are Little Feat keyboardist Bill Payne; guitarists Larry Campbell, Chris Masterson and Jim Weider; keyboardists Marco Benevento, John Medeski and Brian Mitchell; and guest backup vocalists Carolyn Leonhart, Elizabeth Mitchell, Allison Moorer, Catherine Russell and Teresa Williams.

Didn't It Rain ​also marked the final recording sessions of Levon Helm, who acted as the project's executive producer as well as adding his unmistakable drumming on three tracks; Levon's distinctive count­off can be heard kicking off Amy's rousing take on Martha Scanlan's "Spend Our Last Dime."

Helm had originally planned to release her solo debut a bit sooner, but chose to substantially rework the album that she initially recorded, recutting more than half of the songs with the road­tested Handsome Strangers.

"That was kind of a reckless move financially, and it's resulted in the album coming out two years later than I originally thought it would, but it was the right thing to do," she acknowledges. "When I started the record, I'd never done a gig under my own name, and I was still getting comfortable with the idea of being a solo artist. I thought I'd finished the record, but then I started going out on the road, and the stuff that we were doing live was so much stronger thanwhat I had recorded, and I started feeling more confidence and focus. So we went back in the studio, with no money and no budget, and found a way to do it and get it right."

Many of ​Didn't It Rain​'s songs are the product of an extended period during which the artist endured a series of personal trials and life changes, including the April 2012 passing of her father and chief musical mentor.

"The past few years have been profoundly transformative for me, so I wanted to tell some of those stories as honestly as I could," she asserts. "I thought about the people I had lost, and things that had fallen apart and things that were coming together, and that influenced the way I sang these songs."

Amy Helm began connecting with audiences early in life, playing her first gig in her early teens in a Manhattan bar and drifting informally through a series of combos before her father recruited her to join his live band. She also absorbed musical and personal inspiration from her mother, noted singer/songwriter Libby Titus; and her stepfather, Steely Dan co­mastermind Donald Fagen, who offered Amy additional opportunities to find herself as a performer.

"I always did gigs through high school and college," she explains, "but my fears and insecurities kept me from committing to it. That's when my dad became a huge influence; he scooped me up when I was in my mid ­20s and put me in this blues band. I was very, very green, but I got my road­dog status with him. It was like walking through fire every time I got on stage, but it forced me to decide if I wanted to do this. And I decided that I absolutely wanted to do it."

Amy's vocal and songwriting talents soon found a home in the New York­ based Ollabelle, whose three acclaimed albums and countless live gigs saw her evolve into a confident, charismatic performer. She also resumed her musical collaboration with her father, singing and playing in his band, playing on and co­producing his Grammy­ winning 2007 comeback album Dirt Farmer​, and helping to organize the now­legendary Midnight Ramble concerts at Levon's home studio in Woodstock, NY.

"He was the best teacher, in so many ways," Amy says of her father. "He wasn't interested in overthinking anything; all he cared about was playing music. He saw himself as a working musician, and it was serious business and it had to be right. Playing side by side with him in the Ramble band for ten years, and building those shows with him, really changed the way I approached things, and his humility influenced and shaped me as a musician, as it did everyone who played with him."

With ​Didn't It Rain​ reintroducing her to the world as a solo artist, Helm says that her immediate plan is "to just get out and play as many gigs as possible. I think that the job of a musician is to try and shake people out of their own heads for an hour or two, and bring some joy into the world. So I want to get out there and do the job the best I can."
Venue Information:
Thompson’s Point
1 Thompson's Point
Portland, ME, 04102