Port City Music Hall
Devendra Banhart

Devendra Banhart

H. Hawkline, ROGOV, Josiah Steinbrick

Sat, March 11, 2017

Doors: 7:00 pm / Show: 8:00 pm

Port City Music Hall

Portland, ME

$25 Advance / $30 Day of Show / $40 Preferred Seating

This event is all ages

Buy tickets in person at the Port City Music Hall box office (504 Congress Street) Wednesday-Friday 10AM-5PM, charge by phone at 800-745-3000, or online right here. PCMH box office will open one hour before doors night of show.

Devendra Banhart
Devendra Banhart
Nonesuch Records releases Devendra Banhart's new album, Ape in Pink Marble, on September 23, 2016. The album, Banhart's ninth, was written, produced, arranged, and recorded in Los Angeles by the singer/songwriter/guitarist with his longtime collaborators Noah Georgeson and Josiah Steinbrick, both of whom also worked on Banhart's most recent album, Mala (2013). Nonesuch Store pre-orders include an instant download of the album's opening track, "Middle Names," which you can hear above, and an exclusive, limited-edition autographed print of a drawing by Banhart.

Devendra Banhart was born in Houston, Texas, and moved with his mother to her native Caracas, Venezuela, when his parents separated. The family relocated to Los Angeles during his teenage years; it was there that he learned to speak English, skateboard, and play music. Banhart first began to perform in public while attending the San Francisco Art Institute. He has since lived in New York City, Paris, San Francisco, and Los Angeles, where he currently resides.

Banhart first attracted international notice with his 2002 debut album, Oh Me Oh My… The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit—a collection of recordings he had made for himself. Subsequent albums include Rejoicing in the Hands (2004), Niño Rojo (2004), Cripple Crow (2005), and Smokey Rolls Down Thunder Canyon (2007), and What Will We Be (2009). Mala, his Nonesuch debut, was described by Q as a "career-best" and by the Wall Street Journal as his "most concise, hushed and winsome effort to date." Banhart has collaborated with fellow musicians including Anohni (formerly known as Antony) and the Johnsons, Beck, Vashti Bunyan, Os Mutantes, and Vetiver. He also has performed with both Gilberto Gil and Caetano Veloso, and was part of a David Byrne–curated concert at Carnegie Hall.

An accomplished visual artist, Banhart's distinctive, minutely inked, often enigmatic drawings have appeared in galleries all over the world, including the Art Basel Contemporary Art Fair in Miami; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts in Brussels; and Los Angeles' Museum of Contemporary Art. In 2015 Prestel published I Left My Noodle on Ramen Street, a collection of his of drawings, paintings, and mixed media pieces. He has created the cover art for most of his records, and in 2010 his artwork and packaging for What Will We Be was nominated for a Grammy.
H. Hawkline
H Hawkline is the brainchild of Huw Evans, formerly more familiar here in Wales as a music TV and radio presenter, a musician who came to our attention with soft folklike acoustic plucking, and a big tour with Gruff Rhys last Christmas.

His début outing, A Cup of Salt on Shape Records, is sold out now, but H Hawkline is back, with band, with a fuller sound, with a psychedelic array of songs.


H Hawkline

Live, H Hawkline have become a very different beast from when Huw first set off on his own and its like the Martin Carthy figure has morphed into 'when Bob whent electric' era Bob Dylan: all scrawling feedback, raucous noise, and childish swagger in the dynamics between him and band members (including the ever present and prolific Sweet Baboo).

I kind of miss the delicate H Hawkline sets of old but the vigour of the new outfit has certainly gained them a few fans this year at events like the Green Man festival and so forth. The album too is gathering a few nods and shakes, with Kliph Scurlock of Flaming Lips even tweeting this week about having the album on repeat.

The Strange Uses of Ox Gall is certainly not what it seems, for the fanciful title and almost mediaeval leanings of the new folk elements in his music, there's also everything else thrown in too: childlike ditties, samples, melodies, charming harmonies and a brain chock full of musical ideas. For what it's worth, here's my track by track review.

The album opens with a sinister sound of a creaky swing, and the nostalgic title Cofio (Remember) and falls into the simple, short, charming and childlike Ballast singing about noses, eyes and ears.

Funny Bones, with additional vocals by Cate Le Bon, is a slow-burner, again the childlike themes come into play, and the sweet innocence of the words, of playing jigsaws, is just magical - the plinky plonky keys adding to this meandering atmosphere.

Mind How You Go is another lullaby with harmonica weaving its way through the song, and the soft lilting Welsh accent sounding staccato, pronounced and slightly strange. Mediaeval in the same way Circulus was!

Big Red is a sampling wonder - I have no idea what's happening, again the childlike rhymes are present - confusing but mercifully short.

In Surf Pound it is indeed the pounding guitar perfectly blended with waves of Huw's voice which sounds rich and beautifully leads the track by its nose!

Giât, another skit, sounds like Huw is entertaining some youngsters.

My Dreams has a free and easy hippy feel, as I listen I'm imagining the raucous singalong at a gig, or campfire at a fesitval near you. It could be one of those expanding set closers that goes in many weird and wonderful directions. Devendra Banhart would love to add this track to his canon!

Sea Of Sand's thick reverb drenched vocals dance around the song, with a subtle guitar playing far off in the distance. Holiday vibe!

Two Ghosts At Sea is a quirky and perky instrumentation backing a melody drenched in sorrow - the contrast is lovely, and it's pure jauntiness.

You Say You Love Me. If I was a record company, this would be the first single. The song has a natural rhythm and structure, and a fuller sound than some of the more experimental tracks - it's lovely. My favourite
ROGOV
ROGOV is a new group from multi-intrumentalist, songwriter, and singer Greg Rogove. His previous projects include Priestbird, Megapuss (w/ Devendra Banhart), Tarantula AD and Piana. He has collaborated, recorded, and toured with various artists including: Devendra Banhart, Rodrigo Amarante, Unknown Mortal Orchestra, Natalia LaFourcade, Sons of the Sea (Brandon Boyd), and Zavalaz (members of Mars Volta), among others. He released an album of solo piano compositions called Piana, for which John Medeski (Medeski Martin & Wood) performed his pieces for the recording. Rogove toured in support of this release, sharing a bill with members of Arcade Fire, Bon Iver, and Medeski Martin & Wood. In his latest project, rogov, Greg constructs his songs using dark melodies, upbeat rhythms, and psychedelic atmospherics. He recorded his debut EP as rogov with luminary producer Paul Butler (The Bees, Micheal Kiwanuka, Devendra Banhart). rogov's - hooops EP is out on Sept 20th.
Josiah Steinbrick
Josiah Steinbrick is a multi-instrumentalist, composer, and producer currently based in Los Angeles, California. Aside from his own solo works and performances with his BANANA ensemble, he has produced albums by Cate Le Bon and Devendra Banhart and has recorded with artists such as Danger Mouse, Charlotte Gainsbourg, Gruff Rhys, Rodrigo Amarante, and White Fence.
Venue Information:
Port City Music Hall
504 Congress St
Portland, ME, 04101